When I began college, I had a choice between music or engineering majors. I went on to complete a Bachelor of Science degree in Mechanical Engineering Technology from the University of Wisconsin-Parkside. The Parkside approach to engineering was innovative and allowed me the opportunity to develop my imagination and creative side in an undergraduate focused program.
I could also spend time at nearby Carthage College in their prestigious organ program. Their program with its four-manual baroque inspired mechanical action pipe organ would provide opportunities and connections that would nurture and influence my later development as a pipe organ builder.
Principles of history are very much a part of my pipe organ design process. Along with steadfast artisanship, their application to each new instrument helps to achieve an enduring result. Mechanical key and stop action, natural voicing, and a free-standing solid hardwood case are part of that tradition. Examples I study include noteworthy European baroque instruments and the work of early American builders like David Tannenberg and Thomas Appleton whose work I value for its softer voicing technique and use of wood pipes.
The organ's rich history has produced an enormous evolution of different styles and technologies along the way. I think the best argument for my work is found in the description of past instruments built published here, and in the three short stories linked to below that form a sort of professional autobiography. These are writings that I hope will help a potential client develop his or her own ideas, do better research, start some constructive dialog, and make an informed decision relevant to their needs.
I last built an organ a while ago, but I have some great ideas and new design work completed based on my past instruments. I want to start work on something new, so contact me if interested.