A unique feature found in many of the larger Skinner instruments is a rank of open wood pipes with triangular cross section. With regular playing time on the Aeolian-Skinner Opus 892 at the University of Minnesota Northrop Auditorium, and having built wood pipes for my own instruments, I wanted to know what it would take to build a wood organ pipe with triangular cross section.
This blog entry introduces my triangular wood organ pipe project published in the story linked to below with additional entries to follow that explain various aspects of the project more in depth.
Posted December 21, 2018 13:09
Most people who know me know that I am a pragmatic person. I build organs limited to five or six stops. To do so in a valid way requires not only good tonal and visual design, but good mechanical design as well. The organ is both significant parts art and engineering.
This blog entry introduces a story linked to below that I wrote to explain two ways in which computer technology assists my design process.
Posted February 13, 2018 16:42
I took some time when I first set up shop here in Minnesota to develop a design language that I describe here as influenced by the Grand Avenue, Macalester College area of St. Paul, one characterized by early-century, industrial-agricultural affluence. My studio work began to take on that influence which could be described by contrasting dark woods with light, and the use of mechanical joinery apparent in dovetail or box joined constructions.
I then set out to create a structural design architecture that would form the design foundation for a family of cabinet pipe organs. I talk some about that process in the following story linked to here.
Posted February 7, 2018 17:23
You cannot escape math and physics when designing a pipe organ. My engineering education and background lets me see important relationships between energy and sound, between structure and applied forces. Yet I consider my work to be historically referenced where to me it matters. I talk in this design blog entry about the methods I use to develop the tonal design of an organ that rely more on the work of the old masters rather than emperical relationiships.
Posted January 27, 2018 15:09
I started the processes of designing a new organ about five years ago. I write about that here in this design blog entry on my approach to tonal design. I was thinking about building a small recital organ back then. The availability of my first organ may take me in any number of directions with the building of a new organ.
Posted January 27, 2018 08:39
A church can often be an organization without individuals united by a common goal or purpose. No wonder then that I think about the design of a cabinet organ for a unique recital venue like an art gallery space for instance. The structural difference between an organ designed for church use and one designed for recital use is not all that different. The difference lies in tonal design as each are built for a different purpose.
Here I wrote a blog entry that took me back to an original idea I had when first starting out.
Posted January 27, 2018 08:25
I write about the use of technology in this entry from my design blog that assisted me in the complex process of designing pipe groupings for organ case pipes. These are the pipes that you see laid out in some geometric form in the front of an organ case. I use examples from the first organ I built to describe the process and tools I developed to create a three-section front pipe grouping for the instrument.
Posted January 26, 2018 19:43
This entry is especially relevant as I wrote about the motivation behind the organ I built now made available by the closing of a church. I write elsewhere about how the instrument may actually provide material for a new instrument. This entry details how the organ itself is the result of repurposed material designed into what became the first instrument I built as an independent builder.
Posted January 26, 2018 18:59